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        Blackmagic Design ATEM Television Studio Pro HD Live Production Switcher

        Blackmagic Design ATEM Television Studio Pro HD Live Production Switcher

        KLDSLR: Lot 61-4A, Jalan SS2/75, 47300 Petaling Jaya. Open every day at 10AM to 7PM daily.
        Home > Search > Other Accessories > Others > Blackmagic Design ATEM Television Studio Pro HD Live Production Switcher Blackmagic Design ATEM Studio Televisyen Pro HD Pengalih Produksi Langsung

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        Direka untuk penyiar dan profesional A/V, Blackmagic Design's ATEM Television Studio Pro HD Live Production Switcher adalah penyambung produksi langsung dengan 8 input dan panel kawalan terintegrasi. Empat input HDMI dan SDI tersedia di belakang chasis, dengan kedua-dua set input menyokong resolusi SD dan HD dari kamera profesional dan pengguna. Chasis yang agak kecil sesuai dalam rak peralatan standard, membolehkannya dipasang pada rak gelongsor atau dibungkus dalam "kit terbang" untuk digunakan di lokasi.

        Permukaan kawalan dilengkapi dengan butang kawalan, tombol, dan bar fader. Semua ini membolehkan pemilihan input kamera dan mengawal peralihan, keyers, tetapan, dan DVE. Input dan output terletak di belakang unit. Output PGM tersedia melalui SDI sementara multiview boleh dihantar melalui SDI atau HDMI. Output AUX membolehkan anda menghantar video ke paparan luaran, yang sangat baik untuk acara langsung dengan persediaan proyeksi. Empat output SDI mempunyai audio talkback terbenam untuk persediaan studio.

        Peralihan

        Peralihan yang tersedia termasuk:
        • Potong: Apabila anda menekan butang potong, ATEM segera bertukar dari sumber program semasa anda ke sumber pratonton. Potongan boleh dilakukan dengan memilih sumber secara langsung atau dengan menekan butang potong untuk beralih ke sumber seterusnya di bas pratonton.
        • Campur: Peralihan campur, atau larut, secara beransur-ansur beralih dari satu sumber ke sumber seterusnya dengan mencipta campuran yang lancar. Anda boleh menetapkan masa khusus untuk mencampurkan peralihan secara manual.
        • Celup: Sama seperti peralihan campur, peralihan celup adalah campuran beransur-ansur yang merangkumi sama ada warna pepejal, grafik, atau klip lain antara dua sumber video. Celupan ke hitam atau putih antara sumber adalah yang paling popular, atau anda boleh menggunakan logo atau grafik penaja.
        • Lap: ATEM Television Studio Pro HD mempunyai corak lap terbina dalam. Pilih dari bulatan, berlian, segi empat, dan banyak lagi. Bentuk dan corak boleh dibalikkan, dilunakkan, atau bahkan mempunyai sempadan berwarna yang disesuaikan. Anda juga boleh memasukkan video langsung ke dalam sempadan untuk penyesuaian lanjut.
        • DVE: Dengan pemproses Kesan Video Digital (DVE) terbina dalam yang kuat, anda boleh mendorong, memutar, memampatkan, atau menggerakkan video langsung anda dari satu kamera ke kamera seterusnya dengan peralihan terbina dalam yang menakjubkan. Peralihan DVE boleh dibalikkan dan terbalik, memberikan anda lebih banyak pilihan peralihan. Dengan 35 gerakan praprogram yang terbina dalam, anda boleh memulakan dengan peralihan yang lebih maju. Lap grafik juga boleh dibuat dengan menggabungkan peralihan DVE dengan logo yang dibuat dalam Photoshop.

        Keyer Upstream

        Lapiskan video langsung ke atas sumber video lain atau grafik dengan Keyer Upstream. Anda boleh menggunakan kunci luma, kunci linear, kunci corak, atau menembak di hadapan skrin hijau dan menggunakan kunci chroma untuk segera menggabungkan video ke atas set maya.
        • Kunci luma: Kunci luma kadang-kadang dikenali sebagai kunci "diri" kerana sumber video yang sama digunakan untuk memotong kunci dan menindih imej video. Kunci luma berfungsi dengan baik dengan imej kontras tinggi, seperti elemen putih di latar belakang hitam, jadi anda boleh menggunakan kontras untuk memotong latar belakang hitam dan menggantikannya dengan video langsung atau grafik.
        • Kunci linear: Dapatkan hasil yang bersih dan berkualiti tinggi dengan kunci linear dengan menggunakan dua sumber berasingan untuk pengisian dan kunci untuk mencipta satu imej video. Isyarat pengisian mengandungi video yang akan ditumpuk di atas latar belakang, sementara isyarat kunci mengandungi topeng grayscale untuk memotong, atau menutupi, kawasan yang akan diisi.
        • Kunci chroma: Digunakan setiap hari untuk ramalan cuaca TV, kunci chroma adalah cara yang kuat untuk menggabungkan imej langsung bersama dalam masa nyata. Penyampai biasanya berdiri di hadapan latar belakang hijau atau biru dan kunci chroma akan mengeluarkan hanya warna itu dan menggabungkannya dengan imej lain, seperti video atau grafik.
        • Kunci corak: Gabungkan imej langsung dengan mana-mana daripada 18 corak lap terbina dalam untuk menggabungkan imej langsung atau grafik dengan bentuk geometri. Anda mendapat kawalan penuh ke atas kelembutan, simetri, saiz, dan kedudukan untuk mencipta kesan gambar-dalam-gambar yang unik yang boleh dipindahkan dengan mudah seperti mana-mana sumber langsung.

         

         

        Keyer Downstream

        ATEM Television Studio Pro HD termasuk dua keyer downstream, jadi anda boleh menambah grafik berkualiti tinggi seperti logo, bug, dan tajuk dari pemain media terbina dalam ke atas output program "on air" langsung. Keyer downstream adalah lapisan terakhir kunci, jadi mereka menindih semua video yang ditukar ke output program utama.

        Makro Kuasa

        Untuk mengautomasikan urutan kompleks tindakan yang tepat pada penyambung ATEM anda, anda kini boleh mencipta pintasan yang kuat yang dipanggil makro. Rekod urutan peralihan antara sumber video, termasuk kesan kunci, penyesuaian pengadun audio, tetapan kawalan kamera, dan banyak lagi menggunakan perisian ATEM atau panel kawalan perkakasan. Makro disimpan sebagai fail XML yang boleh diedit dengan penyunting teks standard, jadi anda boleh menggabungkannya untuk membina urutan yang canggih yang tidak mungkin dilaksanakan secara manual semasa produksi langsung. Ini bermakna anda boleh mencipta penampilan unik yang boleh dipanggil serta-merta, disalin antara penyambung, dan digunakan berulang kali apabila anda memerlukannya.

        Pengadun Audio

        Pengadun audio terbina dalam membolehkan anda mengawal audio kamera dan luaran dengan penyesuaian tahap dan keseimbangan yang tepat pada semua 10 saluran yang tersedia. Anda boleh mengaktifkan atau menyahaktifkan saluran, atau mengaktifkan mod audio-ikuti-video (AFV) dengan segera. Laraskan pengadun melalui Perisian Kawalan ATEM, atau sambungkan panel fader USB standard Mackie luaran.

        Multiview

        Multiview membolehkan anda melihat sumber, grafik, pratonton, dan output program anda pada satu skrin supaya anda tidak memerlukan monitor berasingan untuk kamera individu anda. Anda mendapat output multiview HDMI dan SDI supaya anda boleh menyambungkan monitor SDI penyiar profesional, monitor komputer, atau bahkan set HDTV pengguna.

        Pemain Media

        Hapuskan penjana watak luaran dengan menyimpan sehingga 20 fail grafik RGBA berkualiti penyiaran dalam kolam media. Dua pemain media muncul sebagai sumber input kepada penyambung anda. Anda boleh beralih kepada grafik sebagai video bingkai penuh, atau memberikannya kepada keyers untuk menindih video. Format imej popular seperti PNG, TGA, BMP, GIF, JPEG, dan TIFF disokong.

        Pembetulan Warna

        ATEM Television Studio Pro HD mempunyai CCU terbina dalam dan penyesuai warna utama DaVinci Resolve, yang boleh digunakan untuk menyeimbangkan warna kamera dan mencipta penampilan unik. Anda boleh menggunakan butang pada panel perkakasan untuk membuat penyesuaian asas, atau menggunakan antara muka utama DaVinci Resolve pada panel kawalan perisian.

        LCD Terbina Dalam

        Skrin LCD yang terang yang terbina dalam ATEM Television Studio Pro HD membolehkan anda memantau tahap program dan audio, serta melihat menu untuk menyesuaikan tetapan penyambung. Kawalan tombol putar, butang menu dan set berfungsi bersama dengan LCD untuk memberikan anda akses cepat kepada semua tetapan penyambung.

        Slider Peralihan

        Slider peralihan fizikal memberikan kawalan sentuhan ke atas peralihan, untuk saat-saat apabila slider manual lebih disukai daripada peralihan praprogram.

        Designed for broadcasters and A/V professionals, Blackmagic Design's ATEM Television Studio Pro HD Live Production Switcher is an 8-input live production switcher with integrated control panel. Four of each HDMI and SDI inputs are available on the rear of the chassis, with both sets of inputs supporting SD and HD resolution from both professional and consumer cameras. The relatively small chassis fits in a standard equipment rack, allowing it to be installed on a sliding rack shelf or packed into a "fly-away-kit" for use on location.

        The control surface is replete with control buttons, knobs, and a fader bar. All this enables selecting camera inputs and controlling transitions, keyers, settings, and the DVE. Inputs and outputs are located on the rear of the unit. PGM output is available via SDI while multiview can be sent via SDI or HDMI. An AUX output lets you send video to an external display, which is great for live events with a projection setup. Four of the SDI outputs have embedded talkback audio for studio setups.

        Transitions

        Available transitions include:
        • Cut: When you press the cut button, ATEM instantly changes from your current program source to the preview source. Cuts can be performed by directly selecting sources or by pressing the cut button to switch to the next source on the preview bus.
        • Mix: The mix, or dissolve transition, gradually transitions from one source to the next by creating a smooth blend. You can set custom timings to manually blend the transition.
        • Dip: Just like mix transitions, a dip transition is a gradual blend that includes either a solid color, graphic, or another clip between the two video sources. Dips to black or white between sources are the most popular, or you can use logos or sponsor graphics.
        • Wipe: ATEM Television Studio Pro HD has built-in wipe patterns. Choose from circles, diamonds, squares, and more. Shapes and patterns can be inverted, softened, or even have customized colored borders. You can even insert live video into the borders for further customization.
        • DVE: With the powerful built-in Digital Video Effects processor, or DVE, you can push, spin, squeeze, or swoosh your live video from one camera to the next with incredible built-in transitions. DVE transitions can be flip-flopped and reversed, giving you even more transition options. With 35 built-in preprogrammed moves, you can get started with advanced transitions. Graphic wipes can also be created by combining a DVE transition with a logo created in Photoshop.

        Upstream Keyer

        Layer live video over other video sources or graphics with the Upstream Keyer. You can use luma key, linear key, pattern key, or shoot against a green screen and use chroma key to instantly composite the video over virtual sets.
        • Luma key: Luma keys are sometimes known as "self" keys because the same video source is used for cutting the key and overlaying the video image. Luma keys work best with high-contrast images, like white elements on a black background, so you can use the contrast to cut the black background and replace it with live video or graphics.
        • Linear key: Get clean, high-quality results with linear keying by using two separate sources for the fill and the key to create one video image. The fill signal contains the video to be stacked over the background, while the key signal contains a grayscale mask to cut out, or mask, the area to be filled.
        • Chroma key: Used every day for TV weather forecasts, chroma keys are a powerful way of combining live images together in real time. The presenter typically stands in front of a green or blue background and the chroma keyer will remove only that color and combine it with another image, such as a video or graphic.
        • Pattern key: Combine live images with any of the 18 built-in wipe patterns to combine live images or graphics with geometric shapes. You get full control over softness, symmetry, size, and position to create unique picture-in-picture effects that can be transitioned to as easily as any live source.

         

         

        Downstream Keyers

        The ATEM Television Studio Pro HD includes two downstream keyers, so you can add high-quality graphics like logos, bugs, and titles from the built-in media players over the live "on air" program output. Downstream keyers are the last layers of keying, so they overlay all video switched to the main program output.

        Power Macros

        To automate complex sequences of precisely timed actions on your ATEM switcher, you can now create powerful shortcuts called macros. Record a sequence of transitions between video sources, including key effects, audio mixer adjustments, camera control settings, and more using the ATEM software or hardware control panel. Macros are saved as XML files that can be edited with a standard text editor, so you can combine them together to build sophisticated sequences that would be impossible to execute manually during a live production. That means you can create unique looks that can be recalled instantly, copied between switchers, and used repeatedly when you require them.

        Audio Mixer

        The built-in audio mixer lets you control camera and external audio with precision level and balance adjustments on all 10 available channels. You can enable or disable channels, or activate audio-follow-video (AFV) mode instantly. Adjust the mixer via the ATEM Control Software, or plug in an external Mackie standard USB fader panel.

        Multiview

        Multiview allows you to see your sources, graphics, preview, and program outputs on a single screen so you don't need separate monitors for your individual cameras. You get HDMI and SDI multiview outputs so you can connect professional broadcast SDI monitors, computer monitors, or even consumer HDTV sets.

        Media Players

        Eliminate external character generators by storing up to 20 broadcast quality RGBA graphic files in the media pool. The two media players appear as input sources to your switcher. You can transition to graphics as full-frame video, or feed them to the keyers for overlaying video. Popular image formats such as PNG, TGA, BMP, GIF, JPEG, and TIFF are supported.

        Color Correction

        The ATEM Television Studio Pro HD features a built-in CCU and DaVinci Resolve primary color corrector, which can be used to balance camera color and create unique looks. You can use the buttons on the hardware panel to make basic adjustments, or use the DaVinci Resolve primary interface on the software control panel.

        Built-In LCD

        The bright LCD screen built into the ATEM Television Studio Pro HD lets you monitor program and audio levels, as well as view menus for adjusting switcher settings. The spin knob control, menu and set buttons work together with the LCD to give you fast access to all switcher settings.

        Transition Slider

        A physical transition slider provides tactile control of a transition, for moments when a manual slider is preferable to a preprogramed transition.

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